Friday, 12 October 2012
Thursday, 11 October 2012
A Look We Like
Wednesday, 10 October 2012
Emma Bennett's Paintings
Emma Bennett, an artist from Wales proves the traditional academic painting still might get an interesting and unconventional twist. Inspired by contemporary and historical art, Bennett refers in her works to the XVII and XVIII century Dutch and Italian paintings as well as to the XX century abstraction.
Tuesday, 9 October 2012
Maximo Riera - Animal Chairs
An interesting piece of furniture design.
Inspired by travel and experiences through Europe and Carribean Islands, Maximo Riera's vibrant use of colour and evocative attention to detail have been an inspiration which convey the meaning of his creations.
Monday, 8 October 2012
A Look We Like
Sunday, 7 October 2012
Saturday, 6 October 2012
Sass & Bide S/S 2013
Our favourite picks of the Australian Sass & Bide's soft and airy yet elegant collection called LoveShady, previewed at London Fashion Week 2013.
The whole collection is stunning but the last two dresses are our absolute favourite!
Friday, 5 October 2012
Candida Hofer - Libraries
An interior photographer Candida Höfer specializes in capturing the grandeur of monumental interiors. Her publishing called "Libraries" gives us a glance into the breathtaking libraries all over the world.
Anna Amalia Bibliothek, Weimar
Trinity College Library, Dublin
Admont, Austria
Abbey Library of St Gallen, Switzerland
Castle in Detmold, Germany
Bibliotek, Naples
You can buy the book here.
Thursday, 4 October 2012
Wednesday, 3 October 2012
Duramen 'Heartwood'
DURAMEN is a series of handmade wooden sculptures. Born of a simple impulse to break with conventional ways of exhibiting, Bonsoir Paris and its team have imagined a series of frames so strongly mistreated that they have become unrecognizable. Their wish is to break the properties of the compound, a form of compromise as minimal. The choice of noble materials (Oak, Fir, Wenge, Pear, Linden) and the quest for finesse, enables them – with the DURAMEN series – to position themselves on the razor’s edge between two opposites, that of the deformed and that of the elegant, instinctive and thoughtful.
The making of:
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